Romero’s 1980s horror anthology Tales From the Darkside or Guillermo del Toro’s Cabinet of Curiosities, which is already on Netflix. Billed as a “Red Mirror presents” title, “Demon 79” could’ve been an episode of George A. It’s The Twilight Zone, which Brooker has cited as an inspiration since the beginning, and which has been airing, on and off, on American TV for more than six decades. “Part of the impetus for doing the show in the first place was to try to make something unlike anything else on television.” But here’s the problem: Black Mirror as currently conceived isn’t unique. There are no rules,” he insists in the production notes. “A Black Mirror episode can be whatever the hell we want it to be. ![]() Apparently nostalgia is the new future shock.Īre these few common threads enough? Brooker believes they are-and hey, it’s his show and he can do what he wants with it. And while “Beyond the Sea” takes place in an alternate-reality 1969, “Demon 79” is set in 1979 and “Mazey Day” in the early aughts. “Joan Is Awful,” a five-minutes-in-the-future cringe comedy that follows a woman (Annie Murphy) who discovers that her daily life is being adapted into a streaming series starring Salma Hayek, is the only other story that evokes the uncanny tech-queasiness that used to define the show. ![]() That leaves episode 3, “Beyond the Sea,” a prototypical Black Mirror tear-jerker that casts Aaron Paul and Josh Hartnett as astronauts who are able to virtually visit their families thanks to a device that transfers their consciousnesses to look-alike robots back on Earth. The last two, “Mazey Day” and “Demon 79,” are horror stories. The first two episodes, “Joan Is Awful” and “Loch Henry,” take on a contemporary screen phenomenon that must be at the top of Brooker’s mind: streaming entertainment. ![]() In my mind, season 6 breaks down into three sections.
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